For their first party of 2019, Eagervision will be teaming up with the Barcelona-based promoter and label Watermelon The event will take place on Friday 15th of March at Number 90 in London, starting at 8PM and continuing until early hours in the morning. The two organizations are joining forces after expressing sympathy for each other and realising the similar vibes they deliver in their own parties despite the geographical distance.
Their scope with this party is to outline an event that not only combines their forces but creates something different - Paris-born underground star Cesar Merveille will bring his magic headlining the event, and will be joined by a variety of forward-thinking artists such as Amsterdam’s VBX resident Makcim, who counts releases on renowned labels such as Apollonia and Oscillat Music among others. British selector Pierre Codarin and the French Trio behind Watermelon, Triad wrap up the uplifting and dynamic line-up.
Well-rooted in the London underground scene, Eagervision is an independent record label and party promoter with a novel approach in its operations, aiming to cultivate and support the real creative talents within the scene. That’s why they base their approach on knowing who the artist they are working with actually is, taking into account their influences and their original ideas in order to explore new horizons and create authentic sounds. Eagervision has been organizing events all around London since 2015, in famous venues such as Bloc, Ace Hotel Rooftop, Dalston Roof Park and more.
Watermelon is a landmark of the current Barcelona underground sound. Having organizes quality showcases for Sonar Festival in the last two years such as the Yoyaku one, the Watermelon parties included a huge variety of highly regarded names in their line-ups; Lamache, Janeret, Zendid, Varhat, Maayan Nidam, San Proper, Priku, Cristi Cons, Audio Werner, Oshana and Andrey Pushkarev are just a few to mention. Their crew has been hosted in different European cities before London, from Paris to Bucharest, from Berlin to Brussels. Plus, the organization also works as a vinyl only label under the moniker of Slice Music, featuring names of the calibre of Melodie and Doubtingthomas.
with a name you would like to see on the line-up of an upcoming Eagervision or Watermelon party.
Overall, considering the experience in organizing top notch parties for both organizations and the interesting DJ acts put together for the line-up, we expect this party to be a unique journey.
For a taste of things to come, you can check out this video of Makcim shaking out the crowd at a VBX party: https://www.facebook.com/DJMakcim/videos/343242649597938/
Or this one of Triad heating up Brunch in Barcelona with one of their infectious grooves: https://www.facebook.com/TriadSlice/videos/1911535599149055?sfns=cl
Eagervision x Watermelon promises to be a party outside of schemes, with an ensemble of versatile DJs that don’t settle on a specific kind of minimal house or techno beat but always surprise their dance floor, in the style that both Eagervision and Watermelon deliver with their parties.
The venue, Number 90 is known as the quality bar-restaurant of the exciting building 90 Main Yard, located right on the canal by the Olympic Park in Hackney Wick. However, the venue is also well-known to be hosting quality house and techno events every weekend.
Number 90: https://www.facebook.com/pg/Number90barkitchen/
The guest for this Meoko podcast is someone we can’t hide we are long-time fans of. Nima Gorji is back in the series with a new podcast, and it is no secret that we love his deep and groovy minimal style - Nima never disappointed us and we didn’t expect him to this time either.
Despite having origin from Iran, his musical roots are in Copenhagen, where he held his first residency in 95, at Rust Club, one of the best underground clubs in the city at the time. Nowadays when Nima Gorji is not staying in Ibiza to work on his music he is probably touring intensively in the best clubs and festivals around the world. We believe this mix undoubtedly shows his experience in building up a groove and his various influences.
Impress in an hour and half is not easy - yet almost immediately we smile and have fun while Nima is dragging us deeper on the recording. By combining obscure and deeper track with bouncy Ibiza tech styles (we are thinking, for example, of the Fuse release 'Rich Nxt - Serious', played around the end of the mix) the outcome is amusing to say the least, with the only downside of leaving us ready with a party mood, and craving for more.
If you are based around London you will have the chance to hear Nima perform a back to back with the Venezuelan talent Giorgio Maulini, at the Decay Records Showcase coming up in March, on Saturday 9th at 93 Feet East. The party, happening through the daytime, will start at 3PM and go on until 1AM.
Joining Nima Gorji and Giorgio Maulini headlining the line-up there will be Panorama Bar’s resident André Galluzzi. With more than 25 years of experience and releases on top notch labels such as Cadenza, Cocoon, Ostgut Ton and Highgade, André can be considered a real key figure in the house music scene and a master in turning up any dancefloor.Quality acts James Dexter b2b Davide Decay, Mauro Ferno & Mestivan, Max, Lenka Toma and Kego & Albi complete the line-up of what promises to be a memorable showcase.
Decay Records, based in the UK, was founded in 2013 by the Italian DJ and producer Davide Zeta.
Mostly focusing on modern tech and deep house, since its creation the label has hosted a wide spectrum of established and respected underground artists ranging from underground tech-house masters such as Sascha Dive, Jay Tripwire, Franck Roger or Hector, to more Techno focused artists like Nathan Barato and Dave Pezzner, and received support from the likes of Maya Jane Coles, Mr. G, Ryan Crosson, Dubfire and many more. Into 2019 the label continues to grow and attract new listeners and fans all around the globe.
Decay Records: http://www.decayrecords.com
93 Feet East, established in 1999 and recently relaunched, sits at the heart of Brick Lane and features high tech lighting, a d&b sound system within the frame of a raw and industrial decor, making it the perfect place for this daytime madness.
The new stage of the 2018's 'Best International Festival' will be called SATELLITE
For its 16th time taking place, Caprices Festival is also adding a next wave of artists to its line-up: in the stunning ski resort of Crans-Montana in Switzerland from April 11th to 14th you will also be able to hear Acid Pauli, Dana Ruh, Mathew Jonson, Nico Stojan, Nordstern’s Olivan, Friedas Buxe’s San Marco and Don Ramon. These names come on top of the already voluminous line-up which includes Apollonia, Jamie Jones, Len Faki, DVS1, Marcel Dettmann, Peggy Gou, Pan Pot, Raresh, Black Coffee, Bedouin, Ricardo Villalobos, Seth Troxler and Sven Väth.
The new Satellite stage (the third one) will feature a special opening party on Thursday 11th, the first night of the festival, including Nico Stojan, Britta Arnold, Acid Pauli and Madnax, as well as showcasing local Swiss talent throughout the weekend. Additionally, Vietnam’s Epizode will take over the stage on Saturday night with Alci, Dana Ruh, Tyoma and Mashkov.
The new third stage will be positioned alongside The Moon—which is located at the bottom of the Cry D’er Ski Lifts and boasts out-of-this-world technology and visual displays, adding another sensory stimulating dimension to the soundtrack—plus the world renowned MDRNTY, a one-off, greenhouse-like structure that sits 2200m above sea level offering panoramic views of the crystalline skies and snow-capped mountain vista.
Caprices this year will also present MDRNTY’s Urban Nature Tour concept; natural outdoors will be brought inside to larger venues and spaces. The Caprices team will be working along with the audiovisual production company DubLab who previously operated with Time Warp, Cocoon and many other top notch organizations, raising the expectations of an out of the ordinary experience.
We are extremely excited about the latest addition to the line-up too! Wagon Repair legend Mathew Jonson will bring his techno live show known as one of the bests around for a while. Cocoon’s deep house star Dana Ruh will also join the line-up, together with the inventive electronic wizards Acid Pauli and Nico Stojan, plus the local Swiss talents San Marco and Don Ramon — co-founders of one Zurich’s most renowned venues, Freidas Buxe — Nordstern’s Olivan, Folklor club’s Adolpho & Franky and MDRNTY residents James Mc Hale & Giorgio Maulini.
Caprices is not only a music festival but allows its attendants to experience much more: from award-winning restaurants to mountain huts, from boutique shops to an eco-museum and illuminated ice-rink, there is so much to explore in the surroundings. Especially if you are a ski/snowboard rider, the 140km of ski pistes and vast snow park on location are just waiting for you. All in all, Caprices confirmes to be the ultimate winter destination for festival-goers.
Day-by-Day Line-up (A-Z)
Thursday 11th April - SATELLITE *NEW STAGE*
Friday 12th April - MDRNTY
Friday 12th April - MOON
Friday 12th April - SATELLITE *NEW STAGE*
Adolfo & Franky
Mathew Jonson b2b Dandy Jack
Saturday 13th April - MDRNTY
Giorgio Maulini b2b James Mc Hale
Mathew Jonson (live)
Saturday 13th April - MOON
James Mc Hale
Saturday 13th April - SATELLITE *NEW STAGE*
Sunday 14th April - MDRNTY
Sunday 14th April - SATELLITE *NEW STAGE*
Don Ramon b2b San Marco
Experiment Intrinsic is an event concept which puts intimacy at its core. 2019 will see the organisation landing in France once again to plan a five days experience in the beautiful Le Parc de Josephine Baker in Dordogne, where it was held two years ago. The 2019 edition promises to be one of the best events of the summer for the audiences looking for something deeper, less loud and more sophisticated.
Experiment Intrinsic France 2019 you will experience eclectic live sets ranging from ambient to noise and world music, such as Jan Jelinek, Lucrecia Dalt, Ujjaya, but also some of our favourite DJ selectors presenting their ambient side such as Praslea, Francesco Del Garda, Margaret Dygas, Nicolas Lutz, or Vlad Caia performing his first experimental solo live set. Apart from the music you will also have the chance to learn more about mind and body and participate at workshops on subjects such as yoga and meditation. The mixture of well-picked bookings combined with a stunning location, the various workshops and an intimate crowd are all reinforced by the Experiment Intrinsic premises to create an immersive environment.
In sight of this year's edition, we spoke with Nathalia, creator of Intrinsic and founder of the festival, in order to better understand the Experiement Intrinsic concept and Goals.
Could you tell our readers about your start in London and how the Experiment Intrinsic concept evolved into a five-days festival?
Everything in life goes in cycles, and an individual can generally recognise when they need a change or progression. Intrinsic was born in result of such a recognition.
In the beginning the idea behind the project was to invite DJs who usually play dance music by giving them an opportunity to play different fields of sound they listen to. I've always been passionate about experimental music and it was part of a very natural process to start a project in that direction. Soon after, everything evolved, and we started involving also live acts from the ambient and experimental field.
After running events in London for 2 years, the concept for an extended weekend event began to take shape and had become an opportunity to expand our vision further.
From the 1st until the 5th of August the event will take place for the second time in the French countryside, at Le Parc de Josephine Baker in the beautiful central region of Dordogne. Why did you choose this place and what makes it special?
A person proposed me to host Intrinsic in France. When we visited the site, I felt that the park of Josephine Baker would be a highly suitable place to deliver Intrinsic. I was impressed by the history and the nature of the park, which is also an institution devoted to culture, the arts, the education and actions for the benefit of fraternity and ecology. Josephine Baker was a dancer and singer who became widely popular in France during the 1920s. She devoted much of her life to fighting racism: “There is only one race, the human race.”
The park's general ethos is aligned with our values and is thus ideal for us.
It seems that Intrinsic puts a particular focus on its intimate and curated atmosphere... Quality over quantity. Where does this choice come from?
It is an old wisdom of humanity.
By choosing quality over quantity we open ourselves up to the true efficiency and the depth of our experience. On the other hand quantity over quality brings distraction within our lives, we get taken away from our priority and values.
Intrinsic is focusing on the long term things that matter. We simply value ourselves, our work and our community. People’s vibration, mindsets, and beliefs become somehow our own, so it's important to create a surrounding that lift everyone higher. Intimacy is so important, as it helps us connect. We feel free to be ourselves, without fear of criticism and expectations which has such a big presence at bigger scale events.
Every festival aims to be something different, but I feel like Intrinsic actually manages to do something unique. Let’s take the booking choices for example; the variety of experimental live acts is so incredibly curated, but also the established and 'bigger' DJ names are interestingly chosen (Nicolas Lutz, Margaret Dygas, Praslea...). What guides your booking choices?
We never tried to be something different to be honest, we simply felt its essential to deliver such a project.
The guidance comes from my heart and own sound preference. Involving mainly artists which have influenced my musical journey trough the years. It's also important to have some personal connection and understanding with everyone who takes a part. The combination of both sound inspiration and personal connection creates a very special atmosphere that builds on appreciation and trust. This vibration manifests to the audience and the experience.
I also found very interesting that on your website it is mentioned how the music is rich in details and many audience members want to hear everything. This goes in the opposite direction from the usual party/festival experience where the audience is provided with a context where they are basically invited to be as loud as possible. In these times moments of reflection and focus, especially in a community context, are getting rarer. How do the atmospheres created in the Experiment Intrinsic events influence individuals? How do they react to ‘quieter' performances?
I can't really speak from our audience point of view, but I can share my own. I consider ambient music as a different form of meditation. Sort of gateway to go inward. You can't meditate while your mind is busy and loud. As matter of fact I found out that quietness is one of the most underrated values in music. It is very important for us to create a floor where everyone shares similar values and join the events with deeper purpose than just an event to hang around or hear highlight DJs.
The event will also provide various workshops, from yoga to healing arts. The term ‘Spiritual’ is a little overused these days, but I would like to ask you to elaborate on the subject; developing a spiritual side in one’s life is certainly a challenge in our society. Can a gathering like Experiment Intrinsic be a place for human souls to develop themselves and meet each other in a spiritual sense?
Being spiritual means being kind to yourself and all other beings, loving your existence. Taking in account the feedback received from most of our audience members I believe the project is a platform where people connect to their higher self collectively and individually at the same time. Workshops, yoga and healing arts are playing a very important role for our personal growth. In combination with ambient music over a 5-day format, it allows the mind to get quieter and the soul happier. I feel the difference between Intrinsic and many other events lies not only in the chilled experience, but also in the post effect which many describe as another form of awakening.
You are also active as an artist under the moniker ’Nathalia’, and you will perform at the event in August. I was impressed listening to some of your recordings; deep soundscape submersions that retrieve distant memories. What’s your vision musically? What do you want to communicate to your listeners?
Emptiness. My recordings come into existence as a result of personal expression trough mix of soundscapes. We use labels as if they were permanent “things” that make us who we are. Describing sound it's like creating identity and attachments to certain labels. We are changing constantly, so it is our expression. I usually try to communicate through the sound which can lead me to the moment of emptiness within my mind and soul, however, sometimes that is a hard task due to my personal state, and that's part of the journey. Depth comes from within the heart. It's a true miracle when you get inline with your depth, as you touch the purest side of your being. That's what I call meditation. Sometimes it's very profound and sometimes you are just trying out - practicing.
You have been involved in the electronic music scene for a while. Where is electronic music heading in 2019? Could you share one positive and one negative aspect of the current state of the electronic music scene?
I don't think I can be the one to comment on the future of electronic music scene. There is always room for improvement and innovation. As long as people are creating from the heart, we do not need to worry about positive or negative aspects, as they constantly change according to our own state of mind.
Can you please share your favourite moment from Experiment Intrinsic France 2017?
Collective awareness supported by the Universe.
Could you share 3 pieces of music that you think are representative of Experiment Intrinsic?
In order for the festival to take place, Experiment Intrinsic is asking for its goers to secure a deposit. You will have time until the end of February for this!
Tickets and info: CLICK HERE
Gyorgy Ono supplied us with a two hour recording that captures the atmospheres of Experiment Intrinsic. Smoothly moving from dark soundscapes to middle eastern ambiences to avant-garde jingles that could have been delivered directly from ‘The Residents’, or some obscure country artist from what we know, the podcast has the same visceral potency of dreams to bring someone from one place to another in a few seconds without him feeling lost. The artist, with his roots in Georgia, aims to explore sonic fragmentation by combining various elements of pre-existing material, and we think he absolutely hits the target here.
interview by Giovanni Bodrato
The fourth edition of the Snowman Fest will take place tomorrow, Saturday 26th of January at the Ponton Casa Baraj in Valiug, Romania, with a stellar line-up. The most awaited act is of course Amorf, the known collaborative live act between the experimental artist Mischa Blanos and rominimal’s favourites Cristi Cons and Vlad Caia of SIT. The mix between the Misca’s liquid piano stories supported by never still minimal rhythms created a unique style that has mesmerised clubbers and festival goers all around the world. Moreover the event will see DJ sets from Suciu, Sepp, vlf, Perpetual, Runy, Bread & Butter, Somesan, as well as special visuals by Noetic to complete the show.
The beautiful venue, a heated tent right by the mountains in Western Romania, will host this spectacular party that will last through both the daytime and nighttime, starting at 2PM on Saturday 26th January and finishing at 9AM of the next day. Additionally the sky plant right next to the venue will work Thursday to Sunday from 9.30 to 17.00 - making this the perfect occasion to book your sky trip without the danger of getting bored and missing your favourite hometown’s club.
Tickets available at the GATE or via goo.gl/ittWUj
Bipolar is a Romanian organisation planning awesome underground parties around Romania and in Belgrade, Serbia. For more info and full party listings, check out their FB page: https://www.facebook.com/bplr.ro/
For their first instalment of 2019, London-based crew Grounded have set the bar high, curating a lineup of exceptional calibre for a unique warehouse experience. Since their debut in August last year, Grounded crew have been inconspicuously establishing themselvesthrough a series of parties bringing a slice of Romania to London.
On Saturday the 2ndof February, Grounded will welcome some of the scenes finest rising and established talents for a night set to satisfy the sonic palates of those keen to have their boundaries pushed. Romanian heavyweights Dan Andrei [a:rpia:r]andAndrei Ciubuc [Cuplet, MIORITMIC], will be joined by Spanish Baltazar [Shamandrum] alongside Drums mainstays: Elia Nafzger and Desuba. This curation strikes the ideal balance of diversity and cohesion, each selector bringing a unique take on the minimal sound and a healthy dose of both the familiar and unfamiliar.
Of course, a schedule this impressive demands a high level of care and attention towards event design and production. Naturally, Grounded have delivered. Equipping the warehouse space with a crisp Funktion One system, the subtle nuances of the music will shine, enabling the immersive listening experience prescribed by the Romanian sound. The musical journey will be complemented by the visuals of Constantin Malmare. In addition to his hypnotic contribution to previous Grounded outings, Constantin’s design work for Anthea’s Partisan is testament to his ability to visually communicate the intricacies of music. It goes without saying that this event is set to be a truly mesmerising affair.In Grounded’s own words, it will be an event“where words leave off and music begins”; a night of magic not to be missed.
telling us which artists you would like to see at a future grounded party
Vinyl. Prize Andrei Ciubuc & Frost (2 sides of the spatel)
+ Barac Baltazar Drums
GROUNDED FACEBOOK EVENT
The brand new festival UNUM, which will held place in the Albanian town of Shengjin from May 31st to June 2nd of this year, just added a second wave of names to its exceptional line-up. Craig Richards, Leon, Adriatique, Raresh, tINI, Vera, Ferro will all be included among the already jaw-dropping line-up, where the first headliners announced were Luciano, Ricardo Villalobos, Butch, Petre Inspires, Praslea, Sonja Moonear, DeWalta and Dyed Soundroom.
The first edition of this new event will bring underground house and techno to such as wide spectrum and level to the Albanian lands for the first time. The location chosen for the festival is by the seaside, on the stunning Mediterranean beauty that is the Albanian coastline; dense with breath taking landscapes which combine maritime pine forests and a mountain background with the coastline view. The festival will have three stages hosting 24 hours of music every day, so bring your sunglasses: sunrise and sunset parties are set to be one of the highlights of this three day stunning party. However the festival will not be focused solely on partying. You will be able to experience watersports, sun bathing, local cuisine and cultural trips and much more.
The last additions to the festival's line-up are stunning. The Fabric long-time resident and Nothing Special label boss Craig Richards with his wide range of expert selections ranging from electro to straight house and techno, as well as the rominimal institution Raresh ,who will bring his infectious groove to the party. Perlon’s boss Zip is also joining the party with his eclectic selections. You will also be able to attend sent from Ibiza’s tech house master tINI, and another favorite for minimal lovers, Vera. The other names added are Adriatique, Cap, Cris Rej, Erti Lutaj, Ferro, Franco Cinelli, Hugo Bianco, Igor Vicente, Jonny N’Travis, Joseph Capriati, Leon, Manoloco, Ohmme, Mike Shannon and Traumer. Considering the whole line-up, it will be hard to get some sleep during the three days.
The festival will provide everything you need; the extensive food and drink options include grill, fresh seafood, pizza, a salad-bar and vegan/vegetarian options. Expect also treats like an icre-cream van, a vitamin bar and a wide range of wine and cocktail bar for the more thirsty. A chillout zone with various shops will provide alternative entertainment to the main music of the festival to make sure no one in the audience is ever bored; massages, body-painting and plenty of hammocks will all be found.
UNUM agreed to a collaboration with the Tourism Ministry of Albania to facilitate easy access and avoid any possible issues for its attendants. This means the best accommodation in the local area will be exclusively operated through UNUM in order to provide a secure and quality accommodation for everyone. Package price start from €239 for 3 nights accommodation, transfers, festival shuttle and 3-day festival pass with unlimited re-entry.
The easiest way to get to the festival will be to fly to Tirana, the Albanian capital, which is around 1 hour away. However, the location will be easily accessible from the surroundings with UNUM taking care of all the transfers to and from the festival for just 20€ (from Tirana, Podgorica, Pristina and Durres Ferry Port).
FB Event: https://www.facebook.com/events/2284889931746328/
The sweetest weekend of the year is happening again in 2019! After a successful first edition last year, the Creative Hub’s Park in Tallinn, Estonia, will host once again this fresh festival concept during the daytime of the 28th and 29th of July.
The KultuuriKartel, or Creative Hub, is a cultural temple close to the city centre of Tallinn hosting a wide range of concerts and cultural activities, with both indoor and outdoor wide spaces. The Estonian capital has been growing into a new European capital of innovation and culture, and the festival, happening right in the middle of the summertime, provides the perfect occasion for music lovers to visit the city.
Sweet Spot is a fluid and modern festival which does not settle on a certain style or music genre, but instead offers a variety of live performances and DJ sets that range from brilliant indie rock acts to rising talents of the electronic music scene. You will be able to enjoy huge performances from international artist but also find your way into the local Estonian scene to discover something unexpected.
Last year’s edition saw live performances from artists of the calibre of Irish singer-songwriter Roisin Murphy and the Estonian rapper and extravagant conceptual artist Tommy Cash. However electronic music lovers surely won’t be let down either - for example the 2018 edition hosted the one and only Jeff Mills, Honey Dijon, Soichi Terada and many more.
Although the festival takes place during the daytime, do not worry if you are more of a nighttime party-goer - the party does not stop there. Afterparties will take place each day at Pada, in the heart of Tallinn, giving you the occasion to fully experience the Estonian capital’s vibe.
After the huge success of its first edition, the expectations for its 2019 edition are high. The first names of this year's line-up will be released in February, stay tuned on Meoko for more info. If you are experiencing the usual winter blues through January while dreaming about these two days of pure summer bliss, this might be the right time to start planning your 2019 summer festivals schedule. Links and tickets below.
FB EVENT: https://www.facebook.com/events/2182645505324661/?active_tab=discussion
Since 2017, Re-UP and Riccardo Piazza teamed up on a new project, forming the Venice based record label Where We Met. Distancing itself from the old minimal tech background that distinguished Re-UP, the multi-faced project is not only a ‘traditional' record label, but also an independent DJ act, as well as a promoter entity. More importantly, WWM is pushing a forward-thinking sound which is reshaping current underground house and techno, infusing it with break-beat and electro.
Just listen to the first 2017 release from Reedale Rise; the ‘Broken Land' EP throws a captivating amen break into its first track with impressive smoothness, but also includes minimal house tracks that sound closer to the micro-house style we often hear at our favourite parties lately. Or their last release from 2018, ‘Where is my Prisma?’ by Chicaiza - the astonishing title-track is just something else, a spectral groove which convinces us the label is really doing something special.
We were certainly impressed by the ingenuity of their nearly 2-hours exclusive recording for Meoko. Creating a flow with broken beats is not an easy task for any DJ, and WWM do it beautifully. 10 minutes into the mix and you will be sucked into a space wormhole of rolling electro basslines and lysergic atmospheres. As the mix progresses, house comes onto the game; steady 4/4 kicks and neat hats build an infectious groove, without switching off the note of deepness that characterizes the WWM style. To accompany the mix, we had a chat with Where We Met regarding their upcoming releases and events.
Exclusive WWM Meoko Mix -CLICK HERE TO LISTEN
Hey guys, first of all, thank you for your time. We are very happy to have you on Meoko!
Could tell me a bit about your background? When was WWM born, and how?
Hi, It’s a pleasure to chat with you, guys! As explained in the introduction, WWM is a blend of Re-UP and Riccardo Piazza. Ricky’s history with electronic music had a serious turn when Leo and Omar asked him to go out a dinner in 2. "I remember I was back from an important business meeting in Milan" Ricky says, "dressed like a boring suited jacket man and I said "let’s meet up with the guys!". Until that moment, I was just a guy with a lot of passion for electronic music, now I can say I have a way to express and share his passion with others. So I really have to thank Omar and Leo who gave me this opportunity, I'm sure that I'm now a better DJ / promoter / whatever you want because of them.” On the other hand, the Re-UP project needed a reboot. The duo, founder of Kina Music, had been around for over a decade. After joining Music On between 2014 and 2016, they felt the need to step back from a mainstream brand that went too far from their musical taste. We’re plenty of good memories of this period, lot of fun and most important, we had the opportunity to see how a big agencies works. Ricky’s has been fundamental to help the Re-UP rebranding because He enriched their musical knowledge and thanks to his different background, he contaminated Re-UP’s sets which are now more sophisticated but still effective.
The name Where We Met celebrates a specific moment in which the three of us had a mind-blowing experience all together, surrounded by inspiring music and funny scenes. Sunwaves 14 is Where We Met and that's also the story behind the name. Zip's magical 5 hours set and the unforgettable Ricardo Villalobos set in the middle of a storm were both essential for understanding that we were feeling the same energy , and from there our friendship has been growing with mutual respect and with the security that we share certain human values which are at the core of the WWM project.
That’s why Re-UP suddenly decided to invite Ricky to that dinner. As soon as the meeting started, things flowed naturally. Omar already had the name in mind, 'Where We First Met', so we just shortened it and here we are, ready to go!
What is the fundamental vision behind the Where We Met project? What are your goals?
In the beginning we wrote a sort of WWM manifesto that we thought we would have to present to the artists. The picky and meritocratic process we use to select the music for each release allows us to be like a super selector which is composed by our 6 ears and 3 hearts.
WWM’s vision is set on human values first and foremost, and as a reflection we work with artists we empathize with. Our goal is to release high quality music that match our taste. Something to be played in different moment of the day, something that people will hear in 20 years and still enjoy it.
Some of the label releases show a Detroit old-school electro influence, other feature broken beats so neat that they almost sound like they could have been released on Hessle Audio. What inspired you to go in this direction?
Thanks for the comparison, hats off to Ben UFO and whole Hessle Audio crew! We know that music is cyclical so it was about time that electro and old school music became popular once again.
What inspires us is the message behind a track and that’s why we didn’t set any limitations to the label. Obviously the first release was an electro package that surely put the label on the map, but after that we felt the need to explore a more deep influenced sound.
With the third we returned into a techno electro mood and luckily, one tracks has been selected by Craig Richard on his Fabric Mix. We will never thank Reedale Rise enough for this! WWM004 represents an excursion from breaks, deep and techno while the 5th was meant to be a dance floor-oriented release.
The Chicaiza EP is very important for WWM because it is something we needed in order to be a bit less predictable. The label was becoming an almost pure electro one because the best music we found at that time was electro, which kind of attracted similar music to us, but it wasn't completely reflecting who we are and the range of the music we play and like. So We want to have different genres coming from WWM and we would really love that in each of our releases you are be able to hear our trademark which will always reflect our 3 different visions!
The first record of 2019 is already being released in February - the ‘Event Horizon EP’ by Tonnovelle. Can you describe the record for us?
WWM006 is the most rave-ish on the label, an expression of our techno side and something you will need when you play peak time. It’s an intelligent release, pretty contemporary music, something that might have been out on several current "trendy” labels, but beware the A2. ;)
The influences that Arman and Kamyar had for this one in regard to the Vienna/Berlin connections are pretty clear to us even though it's a pretty personal record. We also love the energy on this one!
Ricky adds "I'm really happy to have Arman on board because he is a longtime friend that I met in a special city, Vienna, and a very special place Metz. It's a second home for me and it was so important to help me define my taste in music and also what is nightlife to me. I'm so thankful I've met the Funkroom crew and all the people that I can now call friends!”
WWM also has a sub-label, Spaziotempo. It only had one release from Freddy Fresh in 2018 so far, which sounds as brilliant as inventive. It definitely makes us want to hear more!
How does Spaziotempo differ from Where We Met? Do you have anything scheduled for 2019?
Spaziotempo is hard to describe…We felt that Freddy Fresh EP would need a different home rather than WWM. At the very beginning we wanted to create a label for represses and reissues but we immediately realized that this concept would be a limit. As soon as we worked on the Spaziotempo002, the division between the 2 labels was getting clear to us - and if you read between the lines you can spot the artist already. ;)nds like Freddy to be hosted
You are active as a record label and DJ act, but also as promoters in the Venice area.
How is the scene moving nowadays in Italy? Did you find any particular difficulty in promoting your projects?
Italy is trying to reshape a club culture and many good producers are coming out. At the same time, people are understanding that music and small venues can be turned into intimate spaces that fits perfectly with the party experience we aim for. We had few great shows in Italy last year, there was a living connection with the dance-floor, almost tangible at times.
Luckily we've shown up on Michele’s radar, the owner of Veniceberg, who invited us to host a showcase series in his club. Since the first event, the relationship with Michele grew and we managed to understand the right steps to introduce the WWM project. There’s a mutual faith, he trust our bookings because he knows that we understand his club.
The music we love is neither easy nor popular, so it's normal that not so many people would enjoy a 3 hours IDM/breaks/whatever set as we do. What we are trying to do is to offer quality music, always making sure that people have a good time at our parties, that's the key! Behind a successful event there's a motivated crew which is able to transmit energy and passion, hooking people and giving them the right tools to join the experience. How to do that? Passion plus smiles plus respect to our followers.
Your next party will be on the 18th of January at Veniceberg, the venue you just mentioned. The underground space in Verona provides quality acoustics thanks to a purposely hand-made sound system. You will play alongside Gwenan, a daring artist who plays tracks ranging from techno to more experimental beats. What is your expectation for this party?
Can you imagine the most comfortable situation in which everything works perfectly? That’s Veniceberg! With this scenario, you just need to focus on being the perfect host for the artist and the people attending to the party.
Gwen is a great Dj, one of our favorites for sure. We love her selection and flow, you can feel a personal touch in her sets and she's always able to make a good connection with the crowd. Empathy: one of the skills every dj should have!
Other upcoming parties also have intriguing bookings; Freerotation resident Jane Fitz and Madrid DJ/producer Corp will play respectively in March and May, also at Veniceberg. What guides your booking choices?
As for our releases, we want to book artists that we would love to see at other people's parties. Being a DJ means to connect with the people and not everyone have the ability to bring the audience through their journey.
Jane needs no introductions, she's one of the best in the business and it's such an honor to have her with us: I can't wait to hear her on the Veniceberg's sound-system! Ricky still remembers her debut at Panorama Bar, at the end of her set there were literally 15 people waiting in line to hug her (including him): we think that this tells you a lot about the great human being she is (and of course…how good that night was!).
Corp is our bet this year! He’s surely a superb producer, his works for Libertine are outstanding but we heard he's a good DJ too and we can't wait to listen to him in Verona! We would also like to give a special mention to Chicaiza, who did a superb set in November. We knew he was skilled but he really nailed it!
Can each of you tell us your favourite record from 2018?
OMAR: Modex - Monologue
LEO: Roza Terenzi & Dj Zozi - Planet Euphorique
RICKY:Ten Grams - Fractured Textures
And favourite party?
OMAR: Checkpoint meets O300f Recordings at Backyard Barcelona Villa. I loved the energy all over, especially when Kashawar played one of the best sets i’ve ever heard!
LEO: Experiment Intrinsic France where Gwenan shaped such a lovely and intimate trip through techno, ambient and IDM...
RICKY: Riccardo in Brooklyn (Decantour), amazing vibe, great people there, so many new friends and 2 super acts from Riccardo and from Rasho, a guy we would really love to bring to Europe!
Thank you for reading and enjoy the Where We Met podcast!
Upcoming WWM parties:
18.01.19 - w/ Gwenan @ Veniceberg, Verona IT
15.03.19 - w/ Jane Fitz @ Veniceberg, Verona IT
17.05.19 - w/ Corp @ Veniceberg, Verona IT
FB - https://www.facebook.com/WhereWeMet/
RA - https://www.residentadvisor.net/record-label.aspx?id=14884
Discogs - https://www.discogs.com/label/1175223-Where-We-Met
Article by - Giovanni Bodrato
Today we are more than proud to feature a legend in our podcast series, someone who is often named among the creators themselves of the techno music genre: Mr. Kevin Saunderson. The recording sets the mood with the timeless Kenny Larkin Tension Mix of Kevin’s own ‘Future’ featuring Inner City. Kevin then shows his skills as an artist who has the incredible ability to create a mood in its mixes with just 2 or 3 purposely chosen tracks at the right tempo - throughout the mix each track is extremely strong, with no frills. Whether it’s house or techno elements in the mix the result is astonishing; Kevin Saunderson brings a classic Detroit touch to each single moment. The mix sucks up the listener until the end leaving one to scream for more techno - we could not have expected anything less from a legend such as Kevin Saunderson.
Kevin Saunderson delivers EXCLUSIVE MIx for MEOKO
Kevin Saunderson returns to London this weekend; on Saturday 19th of January he will perform at Corsica Studios. And while platinum-selling Detroit artist will be back headlining room 1 of this special event, room 2 will also see something more unique than rare happening; Memory Box welcomes Renaat Vandepapeliere - the Boss of the one and only R&S Records who is known for taking risks in his sets beyond trends. Robin Ball and Brassica playing live finish up the line-up into what already feels like a memorable event - definitely not one to miss out if you are around London this weekend
Catch the man himself at Memory Box this Saturday One of London's perfect venues to host such an event, Corsica Studios alongside Renaat (R&S)
These bits do the business, all out in the past fortnight unless stated otherwise:
MICHELLEZocco (double 12")
My Own Jupiter - MOJ 10
My Own Jupiter is a multimedia invitation onto the planet Edurne and Nicolas Lutz have created for themselves. For the 10th release the Uruguayan artist Michelle drops a killer album with 8 floor bombs that will keep you dancing till eternity. Zocco!
Overcome/Lady Science (NYC Sunrise) (12" repress)
Trelik - TR 11:11
REPRESS ALERT: Trelik returns with a repackaged edition of one of the catalogue's most treasured releases. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule, these tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999.
Regression Progression EP (12")
Partisan - PTN012
Matching classic motifs with a bold, crisp production style that sits comfortably in the ever-expanding Partisan catalogue, Giammarco Orsini once again proves himself to be a vital rising talent in the European House and Techno scene.
Audio: https://www.juno.co.uk/products/giammarco-orsini-regression-progression-ep/716204-01/INTERNATIONAL ANYTHING
Like This Girl (12")
Perlon - PERL120
Next on Perlon is an EP from International Anything, the collaborative project of label head Markus Nikolai and Ole Schulte. Debuting on the infamous Superlongevity compilation in 2017, this 12" is the first solo release of the duo.
Shamania (double 12")
Sleep Is Commercial - SLCLTD008
Wareika's double-EP “Shamania” features two collaborative remixes from Ricardo Villalobos and Thomas Melchior, Wareika’s original and a remix from Dunkle Dummies. Due out on Sleep Is Commercial. Nothing more to add!
Slices of life | SOL10.2
Slices Of Life celebrates the 10th release with a two-part vinyl compilation: SOL10.1 and SOL10.2! Label owner Barbara Preisinger gathered seven unreleased tracks on two seperate 12 inches, by previous Slices Of Life artists as well as producers who relate to the label through friendship, events and personal support.Audio: https://www.juno.co.uk/products/cab-drivers-slices-of-life-10-2/707119-01/
Lost'n'Rex EP (double 12")
Time Passages - TP 10
Binh releases a double pack via his own Time Passages. For the labels 10th release Binh carries his own tracks and some collaborative work with Evan Baggs, Sven Röhrig and Dj Masda.
A Walk In A Field (12")
Serialism - SER047
The Cobblestone Jazz man shows off some of his vintage colours courtesy of a release which comes at us here from Cesare vs Disorder’s Serialism imprint. The music of The Mole is engaging, captivating and mind-blowing at the same time.
Lyra (180 gram vinyl double 12")
Meander - MEANDER 025
Lyra is DeWalta’s fourth large project and third full-length album following Wander in 2012 (on Haunt), llumination in 2014 (on Meander) and Dark Matter in 2017 (on Amphia). The album consists of two individually available parts and is by far DeWalta's most extensive and refined project to date.
Gravity EP (12")
Inkal - INKAL 005
Ben Rau has been steadily developing his unique twist on modern house music over the past few years via his Inkal and Meta imprints. Here we see Ben return to Inkal with a new two-tracker which shifts focus in a dynamically unfolding fashion.
Semantics (double 12")
Nervmusic - NM 023EP
Semantics is Rhadoo’s first EP since 2015's Zanzibar on Amphia. Spanning four tracks spread across two discs, Semantics will come out through Berlin-based label Nervmusic. A founding member of the [a:rpia:r] label and collective, Rhadoo is one of Romania's key artists, having helped shape the country's distinctive minimal sound.
Fairground / Kitten
Cabinet Records - CAB55LTD
Cabinet sees the return of Brawther on the driver's seat. Pulling out two razor sharp bouncing party jams, “Fairground” and “Kitten” will sort any dancefloor out! Worth mentioning that this is Cabinet’s first pressing with a limited number of 333 labels.
Polyson - POLYSON001
Minibar’s boss Cabanne (also heavily associated with Perlon) is launching his vinyl-only Polyson label with a new EP from Varhat, Hokenkok. On this EP Varhat delivers two originals with Cabanne on remix duties.
Salty Nuts - SN008
Fabe kicks off 2019 by dropping his debut full length on his own Salty Nuts label. Here he shows a wide spectrum of minimal house and techno style across eight tracks that feature Fabe's typical, loopy signature groove.
YYK No Label
Hand-stamped unlabeled record from Japan expected out early February. This 12” features 3 tracks; Budōnoki, Budō and Wain and it sounds dope.
From our fav MEOKO selector DENNY KEM
When it comes to Burning Man, one will find it extremely difficult to put into actual words, infact it is probably impossible to describe it unless you have been and experienced this 'other planet', of course! I guess it can be anything you want it to be and more, set in the Nervada Desert catering for around 80 000 over 9 days . This festival takes creativity, fashion, community and imagination to a new level. A festival when literally ANYTHING goes.
"Over the course of its history, the Burning Man community has developed its own peculiar lexicon, an organic outgrowth of the event, the culture, and the unique landscape of the Black Rock Desert where the event takes place"
Some have described it as life changing, a rebirth, others claim there simply is just no way to describe it.
Jim Simpson, a longtime “Burner,” said he and his friends came up with the concept of “Oogmoo,” which is a word to describe something you have to see for yourself.
MEOKO put together some of our favourite fashion pictures from BM over the years.
And that is a WRAP!
Disclaimer - if any photographer would like to get intouch, we would be more than grateful to add your credits.
There is really no need for introduction when it comes to the unstoppable fun trio that is Wareika. For the past decade Florian Schirmacher, Henrik Raabe and Jakob Seidensticker have been at the forefront of electronic music, consistently developing and pushing their signature sound in every corner of the world with great success. Their finger work is finesse itself and has been universally appreciated, also and foremost by Visionquest, Perlon and all the labels they have charted on. Wareika are more a band that has fun experimenting with electronic music, but has a musical culture that goes well beyond it. Listen to any of their productions and you will discover atmospheres which refer to their own world and personalities.
From London’s iCAN Studios where I first met them 4 years ago, to Funkhaus in Berlin (for the 20 years celebration of Perlon), to London again at Ministry Of Sound and back to Panorama Bar in Berlin this August (for Get Perlonized) - I’ve been travelling between cities in order to get to know them better and witness them perform live. Trust me when I tell you this; I have rarely come across such masterful artists. However, I believe the main thing about them is that despite all their fame and success, despite all the collaborations and all the world class labels they have released their music on, despite everything that comes with it - these three individuals are genuine, humble and down to earth. Their love for music is fundamental, a sacred value that leaves no space for anything pretentious. To my eyes this is a rare quality, especially nowadays..!
As we say farewell to 2018 we had a proper catch up with Wareika in order to find out what they’ve been up to lately! In addition to the interview the trio teamed up with Meoko to deliver a “goodie bag” of exclusive audio & visual material for our readers, just in time for Christmas and New Year (well almost...)!
Afternoon mighty Wareika! It’s a great pleasure to welcome you back to Meoko! So, you guys toured South America recently for a duration of two weeks. How did it go?
Florian: We played in lovely Colombia and Mexico. Colombia is one one of our favourite countries. From the first time we were booked to perform there few years ago we fell in love with the people and their mood. Since then we go back regularly and always have a great time.
And what about Mexico? How was it there?
Jakob: It was a fantastic short trip to Papaya Playa Project in Tulum. This spot is like a paradise and at this time with not so many tourists. The dance floor is open air and just 30 meters from the sea. It was a full-moon Party with lots of people and we played very well. As our gigs are always different and not always perfect, I can say that it was a special one and we really want to go back asap, especially as it is fucking freezing here in Europe for the next months.
What do you think of the club scene in South America? Is it any similar compared to the club scene in Europe?
Henrik: It’s different for sure and it’s way smaller. The positive effect of this is that you have a very intimate feeling when you are clubbing there. Everybody knows each other. There is competition too but way less if you compare it with Berlin e.g.
You have travelled quite a lot these past years, is there any specific country that you would like to visit / perform and haven’t done so yet?
Florian: The electronic music scene is still young just like many countries in the world. For example Estonia had its hundredth birthday this year. Good reason to celebrate there. Cuba, Peru, Ethiopia, Ruanda, Armenia would also be interesting for me.
2018 marks 11 years (more or less) since the three of you formed the band. How has this journey been so far?
Henrik: First of all, AMAZING! It feels very special to share such an intense experience (like touring the world with your music) together with such good friends. I think I couldn’t do this on my own, like many DJs do it. I am so grateful to have... a BAND! Of course it is often not so easy, especially when you play mostly in smaller clubs, where even doing a proper soundcheck is nothing usual. Beside that, if you work together you have to find solutions together, you have to discuss things... It’s a family thing and that’s not always easy, but it is so beautiful!! From a musical perspective I could say, that none of us would have done what we could have done on our own. It has been possible because we did it together.
Did you expect back then that things will develop the way they have?
Jakob: When the three of us met about 10 years ago in Hamburg we had no idea of what was going to happen. We first experimented with different drums and percussions and recorded everything. The result was our debut single „Men Village“ on Connaisseur. Shortly after this release we met regularly in the studio of Henrik and mine. We were also trying out vocals with Florian for the first time. This mixture of different kinds of instruments and styles has probably brought us where we are today.
Henrik: Honestly, in the beginning all of us were really keen on making it out there and touring the planet. When that started to happen it was still very exciting, but also felt very natural in a way, because it was just what we wanted and what we worked very hard for. Everytime when we have the chance to go somewhere, and play our music for the people, it feels like part of the dream becoming reality, and that’s what life is worth living for, isn’t it?
If you could go back in time 11 years ago, what would be the one main advice you would give to yourselves?
Henrik: On a band level I have nothing to admit, we did exactly what we had to do together. Maybe for myself I could say that I started a bit late the process of going in depth with learning certain musical basics, so I still struggle to really play what I want to play, because I cannot play it yet. But I am on it!!!
On your set-up there is always some sort of little custom-made modular boxes that you build yourself Henrik. How do you do that? You’ve even built a custom-made lute, now that’s even more impressive! Do you find it easy building your own instruments? looks so difficult to me!
Henrik: Playing electronic music LIVE simply calls for very special needs in the field of instrumentation. You want to have lots of control about many musical as well as mixing aspects in real time. That led me to spend a lot of time experimenting with hundreds of different devices and their possible combinations, and even building things myself, because I could not find what I needed out there. But after all that process I have to say, that music comes first and foremost from your heart. We had some gigs where parts of the machinery decided not work with us, and we felt pretty naked on stage. But then we played the best music ever with very little technical stuff.
Back in February you released your 5th album “Water Sky Sun Wood” on Japanese imprint Mule Musiq. Could you give us a bit of an insight?
Jakob: We recorded a long session of about 1-2 hours at Henrik’s Studio in Bingen/Rhein (near Frankfurt). First I wanted to delete it because it had some crackle sounds in it but Florian insisted to keep it and this was a good idea.
Florian: Yes, I took the whole project to Berlin and worked on it for quite a long time. It was a bit like Chinese whispers, so Henrik got it back! (Henrik laughs)
Henrik: I took the whole Opus with more than 50 channels and bounced them in about 3-4 Stereo Channels and started to add new elements from zero. In the end I sent it to Jakob who speeded the track about 10 bpm up, added some more elements and did the mixdown. That was it! The album sounds like a 60min jam but it was lots of work (even though it was a 60min jam)! (Henrik laughs)
Also this year you have released many EP’s with the most recent being the Shamania EP on Sleep Is Commercial, expected out very soon. How did that come along?
Jakob: Not too sure how it happened, like I remember Henrik and I played together on his piano in his studio, the rhythm was so strange that we had no idea of how to loop it… in the end it was a 5/7 bar measure as far as I remember.
Henrik: Or was it 4/11??
Jakob: Maybe it was. Once we figured out what loop and bar measure it was we slowly started to build the structure around this first piano idea.
Henrik: Usually Jakob and Florian have strict ideas about what labels are suitable for our music but this time it was me that thought of Francesco Assenza from Sleep is Commercial. We have known each other for years and as you can see he was into it.
It’s not the first time we see Ricardo Villalobos remixing one of your tracks. This time he teamed up with Thomas Melchior and delivered two remixes. Whose idea was this?
Jakob: Mine (laughs).
Henrik: The guys from Sleep Is Commercial asked Thomas Melchior for one Remix. After a while the information came that he did two remixes together with Ricardo Villalobos. We don’t know what happened in between! :)
Do you have more releases coming out this year?
Florian: The year is almost finished, yet there are so many things coming up for Wareika it feels like spring-time. The Ricardo Villalobos & Thomas Melchior Remixes are for sure upfront and we are happy to release this double 12” as this was a process of about two years (to make this release with all the remixes happen).
A beautiful Remix will come out this month also: Its for our friend Sary called „Hear & Hakim Murphy - Motion Currents („Wareika’s Moon Aligned Remix“). Its a link between different worlds as well…
Jakob: The whole bunch of releases will come straight early 2019.
Is there anything particular you would like to see Wareika getting more into in the future?
Henrik: Taking over the groove from those machines. I love all kind of electronic music devices and my studio is full of them, but still I find the best grooves are played by humans, not by machines. Somehow we left the groove to the machines and sometimes we become slaves of the machines, without realizing it. Let’s free ourselves from that!
Last time I saw you perform live was back in August at Panorama Bar for Get Perlonized. That was an insane live set and the vibe was so special! From your perspective how does it feel when you perform there?
Jakob: Oh my god that one was fantastic! Everybody was sweating to the fullest, three o’clock in the morning it was still 34 or so degrees outside. So you can imagine the vibe inside. Insane. For me it was one of the best gigs we ever played! We also played about one hour longer. The people were just too hungry (laughs). Playing for Get Perlonized is always special though. It’s just a guarantee for a good party. Thanks to Tomo and Sammy for keeping it up for such a long time now!
I also remember the day I came across Florian randomly at Panorama Bar in January. How often do you go out clubbing?
Florian: I like to go out and experience new things! For example I also enjoy dancing to Salsa.
Jakob: I try to keep it low between the gigs, but it doesn’t always work as I like to visit my friends in clubs and dancing to good music. Henrik is rather in his family thing, less clubbing, more music production and making music with his refugee friends from Syria.
For someone who doesn’t live in Berlin what would be the top 3 places you’d recommend them visiting while in the city?
Florian: The Philharmonic Orchestra has a special sound. I also like the Teufelsberg, it’s such a cool venue and it has open doors for visitors. Also the Loop Gallery! It opens randomly but it is very special.
Jakob: For clubbing there are obviously way too many venues one could recommend. I like Club der Visionäre in summer best.
Henrik: For food there is also loads of good options. We often stay at Michelberger Hotel, Warschauerstraße when in Berlin. As I almost always ran out of time, I end up at the Haloumi place next door. That’s a good one too (laughs)!
As we speak of Berlin, Jakob when are you moving there (laughs)? Jokes aside this year you’ve been playing music in Berlin almost on a weekly basis, would you consider relocating or you’d rather stay in Hamburg?
Jakob: Yes! 2018 was intense. I was DJing as Jakob Seidensticker a lot besides our live gigs as Wareika and Silky Raven. I love Berlin but I also like to leave Berlin once the work is done (laughs). I love the city but it’s also too grey and dangerous for me. Coming back to Hamburg from all over the world has always given me a feeling of relief. I was born here and i will die here hopefully - (everybody laughing)!
What shall your fans expect from Wareika this coming year?
Jakob: As we are making music as Wareika for more than 10 years now, we are celebrating this with a huge collaborative double album with loads of brilliant musicians, friends and other inspiring people, such as Sonja Moonear, Maayan Nidam, Shonky, Radio Slave, Kalabrese, just to name a few...
That sounds brilliant! We’re definitely looking forward to that! Anything else you would like to share with the world before we wrap up?
Jakob: Merry Christmas! Enjoy the holidays with your loved ones. In case you don’t celebrate Christmas, just have a wine on me ;)
Henrik: See you somewhere on this lovely planet at the weirdest dance floors.
Thank you so much for your time and pressies Wareika! It’s been fantastic having you back! Merry Christmas from Meoko!
Words by Denny Kem
More Wareika: Facebook / Soundcloud
More MEOKO; Facebook / Soundcloud / Youtube
Hope you all had a nice Christmas and are looking forward to the New Year. As an end of year message I would like to emphasise the importance of cultural knowledge and passing on information from generation to generation which in turn, sustains the truthfulness of our music movement, like any other. With electronic dance music however, it is slightly different as, for being a relatively young movement, it has not been documented as widely as it should have in my opinion, such as in the academic realm as we still find ourselves trying to prove its cultural relevance in many ways as seen during fabric’s recent closure. I have, over the years, compiled lists of documentaries which guides us through this history and later contributed to some groups like the programme for Electronic Dance Music at City University where I did my Masters so I would like to share them here. They go through Disco, House, Techno, Geek (gear, technology, etc), amongst other things. They travel through showing how House made its way to the UK while Techno made its way to Berlin / Germany and how advances in technology had an impact in the history of music making.
(Isis Salvaterra - Founder of Toi Toi Musik, Agency and Record Label / Press and Communications at GuestHouse
DISCO / HOUSE
Kraftwerk & The Electronic Revolution
Pump Up the Volume - The History of House Music
Maestro - Larry Levan and Early Dj Culture
Disco - Spinning the Story
New York Disco to Hip Hop
Chicago Hip House
The Chemical Generation - Acid House UK
1989 - Summer Of Rave Documentary (UK)
Human Traffic Movie (Classic)
Universal Techno (1996)
High Tech Soul - The Creation of Techno Music
We Call It Techno (Germany)
Sub Berlin "The Story of Tresor"
Pioneers of Electronic Music - Richie Hawtin
Live Recording of Narod Niki at Mutek 2003 (audio only - private link)
EVOLUTION OF TECHNOLOGY
The Delian Mode - Delia Derbyshire
Discovering Electronic Music (1983)
Totally Wired - Schneider’s Buero - Trailer only
I Dream of Wires (2015)
Synthesizer Documentary ~ Moog
TB- 303 Doc- Bassline Baseline (2005)
What the Future Sounded Like (2006)
808 Documentary (2016) Trailer Only
The History of the ‘Amen Break’
Theo Parrish Redbull Music Academy Lecture (2005)
In Conversation with Theo Parrish
24h Berlin - Ricardo Villalobos - Arte TV
Before Music Dies
Tom Dowd and The Language of Music (documentary) - Trailer Only
Why Beauty Matters (subs in Portuguese)
The Art of Listening - Music Documentary (2017)
Why We DJ - Slaves to the Rhythm Documentary (2017)
Leonard Bernstein on the future of music (1973)
That should you guys busy for a while ;)
Epizode is one of the leading festivals in Asia, taking place on the Phu Quoc island in Vietnam for eleven consecutive nights, between the 28th of December and the 8th of January. While the northern hemisphere will be freezing into the new year, on the beaches of this mesmerising island underground electronic music will be celebrated dancing under palm trees with sunglasses on. The festival’s line-up ranges from house and minimal to harder techno and drum n' bass, including plenty of electronic music icons such as the A:rpia:r sound system, Ricardo Villalobos, Sonja Moonear, Maayan Nidam and Pan-pot, among many others. We are delighted to host the organiser Artem Kharchenko for a few words and insights on the festival.
Q1: Hi Artem! Thank you for taking the time for this interview, it is a pleasure to have you on Meoko. Epizode is now at its third edition! I guess it has been a huge challenge to organise this kind of event in a country where it’s not too usual. Why did you choose Vietnam and what was the biggest obstacle in planning a leading festival in this country?
Hello, and thanks for the invite :) Yes, organization of Epizod3 is challenging and sometimes unpredictable, but also rewarding in the same time. We’re creating something completely different in the region, a format new by it’s length, music, concept. Lineup that we’re presenting consists of many artists that never played in Asia, or they do it rarely. Some of them are playing music that people from the region are not that familiar with. So we have a big task: not just to locally promote a new sound and concept, but also to educate and hopefully, broaden horizons of the crowd. Also, we invest a lot into local community, showcase many regional acts. Underground scene is emerging, so does Epizod3 :) We see this relationship as a two-way street, and it’s exciting to be a part of one growing organism.
Circumstances in the region sometimes can be unstable and uncertain, indeed. Rules and laws are not the same as in Europe, neither the treatment of the big music events. Phu Quoc is a perfect place though, as it’s big island, well geographically located, prices are much lower than in Europe and USA and, needless to say - it’s stunningly beautiful. It has international airport and all important infrastructure, hotels, transportation, exotic food and friendly locals :) So far we’re happy to be having Phu Quoc as Epizode home.
Q2: The line-up of this year is astonishing. The festival will feature some legends such as Villalobos and Sonja Moonear, however I see some huge acts from different genres such as Goldie or Black Sun Empire. I think it’s great that you cover such a wide spectrum of quality dance music. What is the aim of your line-up choices and where does the inspiration come from?
We are focused on the quality sound from different electronic genres, indeed. We do have house, techno, minimal, but also d’n’b and breaks, as an important part of the lineup. The idea is, simply, to gather top-notch artists from different music worlds, Dnb and break artists that we booked this year, are the biggest legends of all times in their genre; they will set the beach on fire and we’re happy to welcome them.
use, techno, minimal, but also d’n’b and breaks, as an important part of the lineup. The idea is, simply, to gather top-notch artists from different music worlds, Dnb and break artists that we booked this year, are the biggest legends of all times in Q3: Art installations and daytime workshops on site are also a great part of the festival. What do you have in store this year for this aspect?
On the territory of Epizode, the construction of art installations and architectural structures is already in full swing, the infrastructure is getting more comfortable and intuitive. Artists and architects from different countries are taking part in this magic work. The festival literally turns into an incredibly magical place - in our eyes, all the details are piecing all together, and it seems that Epizode is about to breathe, like a huge fairy-tale creature.
This year we are planning a diverse daytime program. In addition to sports activities, which include yoga, volleyball, SUP, frisbee, there will be creative workshops, body art, a movie theatre, colorful Holi battles, other fun activities and of course open decks for those who have always wanted to play at Epizode. We want people to come to the festival not only for night dances, but we also want them to discover and to be adventurous during the day. Epizode is a 24-hour fun :)
Q4: Is the festival on site preparation and assembly something that happens just the weeks before, or progressively throughout the whole year?
On site preparation starts with a field visit in the summer time, and building of the new site and all production starts 2,3 months before the festival. We are in Phu Quoc for a while now, building our new house for this edition.
Q5: You will also perform at the festival with your solo project Tyoma. Why you decided to settle on it after performing and producing under different monikers? What can we expect from your set at the festival?
II have a theory that, the first record that’s played at the festival, needs to be the right one, as it will define the energy of the whole festival. That’s why I do the first soundcheck, and then the first sunset - opening set of the festival. I will play a few more sets, as for me as a general producer, it’s important to feel the crowd, to get familiar with the vibe, to know what’s going on on the other side.
e a theory that, the first record that’s played at the festival, needs to be the right one, as it will define the energy of
Q6: Epizode is hosting some cool pre-festival parties all over Asia. India, China, Thailand, Singapore… How is electronic music perceived in Asia nowadays? Is there an underground music scene you would like to particularly recommend our readers to check out?
Underground scene in Asia is definitely emerging. Some countries are already developed and pinned on a world clubbing map, hosting various artists, underground as well as headliners. Big party brands and festivals are coming to Asia as well. Some other places though, are developing in a moderate pace, but getting there. There are more and more artists, clubs, promoters, and they are all contributing to the growth of the scene. All this is not just important, but also revolutionary, as Asia is known for it’s massive EDM scene, and 20k people events happening every week. That circumstances makes growth of underground scene more difficult, and certainly more valuable. That’s why, our job is not easy, but it’s simply rewarding to help bring and build a new music trends, focused purely on quality.
Q7: Could you share your own personal highlight from the last edition of Epizode?
ll afterparties last year were off the hook. Needless to say - the epic Ricardo’s morning set was the one for the books, as well as Luciano’s sunset set. Then, all Asian artists at Eggs stage, really showed what quality sound and good fun is. Also - I will never forget the moment when I walked in at the venue, heard many different languages and realized we created a truly international event.
Q8: Can you summarise the vision behind Epizode for the readers? What makes it different than other festivals?
Apart from the fact that we are a long running and unique music and art spectacle in a paradise island in Vietnam - we are also a parallel universe bringing cinematic experience, as the title Epizode says. We call our visitors - actors, superheroes, directors and the lineup is - soundtrack. Everyone can write their own scenario and enjoy in all frames of Epizode.
Thank you again for your time, we wish you all the best for this year’s edition.
art from the fact that we are a long running and unique music and art spectacle in a parad
ise island in Vietnam - we are also a parallel universe bringing cinematic experience, as the title Epizode says. We call our visitors - actors, superheroes, directors and the lineup is - soundtrack. Everyone can write their own scenario and enjoy in all frames of Epizode.
Thank you again for your time, we wish you all the best for this year’s edition.
GET YOUR TICKT NOW AND DONT MISS THIS INSANE WAY TO SEE IN THE NEW YEARS - CLICK HERE FOR TICKETS o f
MORE INFORMATI|ON HERE
Words by Giovanni Bodrato
Despite years of growing popularity, the Romanian scene managed to maintain striking integrity and passion. The list of artists from the country who developed their signature sound in the last decades is remarkable, showing an outstanding creative spirit and a strong will to explore minimal dance music outside the box. But the Romanian scene is also known to pay attention to its local uprising talents instead of focusing solely on the same characters over and over. Meoko is delighted to show its love and support to the Romanian scene and signal some talents to keep an eye on throughout 2019.
Apart from a release on Blumea in 2017, we don’t know much about Abel Soleil, but a quick online search of this mysterious pseudonym will lead you to some of the highest quality music we’ve heard in a while. The rhythmic, atonal and strikingly well-produced minimal textures under this moniker make us think we’re going to hear a lot from him in 2019.
Very active in the Bucharest scene, this year Aparte played next to DJs like Arapu, Barac, Lizz, and more. The Dj and producer delivers a strong synthesis of modern micro-house infused with old school Detroit acid techno. While we are waiting for more news on releases in the new year, we can enjoy the few previews shared on his Soundcloud, that just leave us wanting more.
Bizar is, like most Romanian artist, one who would rather share his art through sounds instead of long DJ descriptions. We don’t have a lot of info about Bizar, but going through his Soundcloud and Bandcamp you will find an impressive variety of quality minimal productions. As his name suggests, his music might sound ‘bizarre' at times, but isn’t originality something we all love? The producer is certainly bringing something fresh on the table and we’re excited to hear more from him. Check out more on this artist here - Bizar Bandcamp
Is likely that 2019 is going to be a great year for Diferit. The Romanian DJ and producer has been shaping up an open horizons style, where quality is the only imperative. His 2018 release ‘Edge of Space’ is simply something else, adding a steady electro rhythm to a marvellous and spacey ambient background (on the B-side you also find Christopher Ledger on remix duties - check it out below). We’re just thrilled to hear more this year.
You might have heard Dragusanu's project together with BRYZ, Fildesh, which has been going strong since 2015. The young Bucharest born DJ and producer has also been making excellent music under his solo moniker ‘Dragusanu’; his ‘Umbra EP’, released this year on the artist’s Bandcamp, captured our attention for his soothing and dreamy vibe.
Dragusanu Bandcamp - Click
Despite being around for a while, we feel this year might be a great one for Herck. The artist has been developing a peculiar and complex sound; in his music very often you might hear processed vocal samples that sound from outer space and glitchy robotic rhythms. Whether you like his style or not, his sets and productions have the outstanding quality of never being boring.
Vlad Leanca is another one to watch in the coming year. The DJ/producer has been developing a psychedelic sound showing he is not afraid to experiment (his Alter Hour mix sounds almost hypnotic - in the best way). Leanca has already been receiving support from notable figures in the scene: check out Barac playing an unreleased hallucinatory bomb from him at this year’s edition of Ostrov Festival in Ukraine below. We’re very much hoping for this one to be released in 2019.
The young DJ and producer from Cluj-Napoca shows a remarkable sense of groove in his mixes and productions. The bass in his recent remix of Sonohat's ‘Whispers’ results in instant head nodding, and his mix for RTS.FM Budapest this year combines undiscovered gems and solid tracks with impressive fluidity, convincing us he’s one to watch in the new year.
You probably have heard Matje’s reinterpretation of The Doors’ Riders On The Storm more than one time throughout 2018, either at an afterparty or from your favourite Youtube recommendations. Matje’s inventive rework of this psychedelic rock classic was one of the most iconic tracks of the year; the Romanian DJ and producer seems to able to turn anything into a deep dance-floor cut, as you can also hear from his Stayin' Alive remix (listen below). But Matje has proven to be capable of delivering much more than that: his style also adds a mesmerizing and hypnotic ‘dub’ vibe to a solid Romanian microhouse substance. The result? His sets to sound like deep submersions into unknown worlds, where it is extremely easy to get lost. Just check out his last podcast on Soper Univers below.
r107, pronounced “riot”, is another Romanian talent to keep an eye on into the next year. Apart from the many shows in Bucharest and around his country, this year r107 also played in Corse and Switzerland delivering the Romanian style we all love with a tight attitude. You can listen below to his track ‘Infinitea’, which was included in the Ensis Black compilation ‘Unknown Heroes' this year.
We don’t know much about Robert Apetrei, but his November release ‘Alpha Si Omega’ speaks by itself. Vibrant and rhythmic, with a clean audio design, the two tracks sound more like an expert’s work than a debut. We’re already hoping for new releases in 2019.
Sonohat’s debut on the new underground minimal Miami/Bucharest label Cedesciu Wax is nothing short of impressive (in here you also find Macarie’s remix referenced to earlier). The frisky beats of ‘Whisper’, the brain-scraping sounds in ‘Hoe Lee Choir’ and the non-stop energy of ‘Galop Dupa 5’ all make us guess we’re going to hear these often at parties in the next year.
Last but not least we would like to signal Zen, a.k.a. Chronosymmetry. As his name suggests the music has a nice meditative connotation to it. Just check out his recent mix for Exid, or the ‘Symbiosis’ release under his Chronosimmetry moniker, which feels monumental thanks to the atmospheric string progressions, but also tranquil and sedative at the same time. Sit back, relax, and let the music transport you.
The upcoming year promises to be one filled with exciting news and creativity. It’s impressive how the underground music scene in Romania still manages to reinvent itself and surprise us with new talents. We’ll keep our ears up for more news and releases throughout 2019. Meanwhile, see you at Sunwaves in Spring.
Resources - Various