Reviews/Previews

Preview: LWE NYD 2018

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Everyone knows that after the chaotic mess that is NYE, an unforgettable NYD is mandatory to conclude a year of excess by starting a new one right away. After all, no one wants to begin the year in bed with a hangover to boot. Out of all the alternatives for this 1st of January, LWE’s sounds particularly hot. As per the line-up, there’s something for everyone, from the casual clubbers to the seasoned heads. 

 

Two very special guests top up their bill this year. Maceo Plex is the first one, under his Maetrik guise. Maetrik used to be the Spain-based Detroit son main outlet in the 00’s, and he returned it with new productions earlier this year. This is a grittier sound than what the man’s become famous for, but whatever alias he’s using, rest assured that years of touring the scene’s biggest venues mean he’ll know how to move the crowd — and more importantly perhaps, this is his first time playing live as Maetrik, so don’t miss it. The other is none other than Marcel Dettmann. The beloved Berghain resident will come straight from the club’s infamous Silvester party, bringing London some of that licentious Berlin techno flavour. There’s your New Year’s Day brunch!

 

 

But that’s just the icing on the cake as LWE has come up with a varied line-up that’s sure to appeal to anyone. On the one hand there’s the big room techno of Alan Fitzpatrick. An LWE regular, you know what to expect from the Drumcode stalwart. Nastia might pummel you with the bouncy techno she’s famous for, or she might opt to show off her lighter side like on this year’s CD mix she did for Cocoon — surprise. If that’s what you’re into, this balance of bumping house and tougher techno should also be reflected in Lauren Lo Sung’s set. And if you’re one of those techno freaks for whom the year needs to start with twisted transmissions, Ø [Phase] will provide the headier, trippier alternative. 

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The crowdpleasers are out in force as well: Robert Hood dons his Floorplan alias for this one. Now a family affair as his daughter is integral to the act, it promises booming kicks along gospel anthems. The maverick KiNK is of the party too with his playful live act — get close enough and who knows, maybe you’ll get to have a go at his keyboard too. And Italians Agents of Time provide the day’s other live act with their melodic brand of techno.

 
 

 

On the mellower side of things, Axel Boman will deliver the sort of Scandinavian free-spirited and playful weirdness his label Studio Barnhus specializes in, while Lord of the Isles will no doubt drench you with his soothing, synth-heavy excursions. We’re also more than excited to see LWE booked Frankfurt legend Roman Flügel. Few people can claim to have had such an impact on current house and techno as he had — put simply, half of this line-up would probably not exist without him — and you can always expect the unexpected with this veteran iconoclast.

 

Like last year, LWE invests Tobacco Dock in Wapping for the event, a gigantic awe-inducing, laser-filled venue with a sound-system worthy of its scale. So come along and book your ticket — you’ve got all the rest of the year to get some well-earned sleep.

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Words by: PierreAlexis

 

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Lick My Deck - Barac - Pata Din Mijlocul Naturii (Review)

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For ten fantastic years UK based label Lick My Deck have been delivering touching and high quality sounds, staying true to themselves by abiding to their quality over quantity ethos. Over the years, they have seen releases from the likes of Thomas Melchior, Ion Ludwig, and Petre Inspirescu back in 2012. To celebrate the momentous milestone, and 20th release of the introspective electronic music label they welcome on board Romanian master of magical rhythms, Barac. ‘Pata Din Mijlocul Naturii’ is a three track EP, inspired and curated around the basis of Barac’s passion and love for natural surroundings and shamanism. This is something that is certainly evident via the sounds you are hearing but also the ever-unique artwork that accompanies each and every release on Lick My Deck.

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The whole of the A side is taken up by ‘Asa E Omul’ sitting at 14 minutes long this record is a journey in itself, setting the overall mystical tone perfectly. Driven by infectious breaks grooves, and a sweeping bass line. The extended track is laced with fascinating strings and percussions, something we are familiar with when gifted with the rare opportunity of a release from Nicolae; A must listen.

 

 

Kicking off the B side is ‘Cursul Resparatie’ in English this translates to the “course of breathing”. The arrangement and layout is really something special, a stripped back mentality carried through with the sounds of a flute, and just when you are thinking it can’t become any smoother the lick of an Indian tabla drum strikes just before the drop, breathing more life in to the song. To round things off is ‘Sapte, Numarul Magic’ and this doesn’t distance itself from being an actual dream. If you close your eyes and allow the harmonies to take over, something special is bound to happen. A steady drum ticks away, leaving an open invitation for the mysterious pads and piano stabs to take control. So all in all a true exploration of a variety of creative territories.

 

For us, this is a personal encounter with Barac himself and we find it a more than fitting release to celebrate the years of hard work Lick My Deck put in to their label,  all starting with founder Shaun Soomro. Nothing is left behind with so much care going in to every chapter of their story, from track selection, mastering, and as we mentioned before the hand designed artwork created personally every time. Here’s to many more years of Lick My Deck.

Barac Artwork

 

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Vinyl Only - Release Date: 3rd of October 2017

 

Words by Zac Bidwell

 

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Preview: Unleash w/ Rhadoo, Moritz Von Oswald & more at MangleE8

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Unleash London does not need much of an introduction as being one of the leading underground party brands and bringing the most exciting names to date. It was just two weeks ago when Apollonia played during the day and the night in London as well as bossman Barac destroying the room in Studio Spaces, right after the 2-hour pure live-set by Ion Ludwig; What a weekend that was!

 

Even dust has not settled yet we were hit by the big news for their next event. On 23rd of September, this time hosted in Mangle8, beautiful, intimate venue bringing a Romanian minimal legend – Rhadoo. Being a one third of the [a;r:pia:r] soundsystem he will play one of his subtle extended sets. His numerous releases on his own imprint with Raresh and Petre Inpirescu, SIT’s Amphia label, Cadenza, Fabric records speak for themselves. His experience and eclectic taste in music shines through his sets and we definitely can’t wait for his Unleash debut.

 

 

He will be joined by Moritz Von Oswald who is known as one of the biggest pioneers and the most respected and experienced dj’s of dub techno since 1990s. Over the years he collaborated with artists such as Ricardo Villalobos, Juan Atkins, Carl Craig to name a few. Having been playing at the legendary Tresor club in Berlin for over two decades, he is definitely one of the top artists added to the bill.

 

And there is Matteo Manzini head of one of the top East London party’s – Damaged. We seen him around for a while now playing for Cartulis, Toi Toi, Half Baked and recently fabriclondon alongside Unleash headliner Rhadoo as well as Sonja Moonear and SIT. He always keeps surprising us with his wide variety of sounds presented during his parties and sets which we think will be a perfect round up for the night.

 

 

We are very excited for this line up and looking forward to the event, if you do not want to miss the chance to see those amazing talents, get your tickets now.

 

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Words by Matas Balta

 

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Houghton 2017: In Review

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The Craig Richards, Gottwood combo was always going to get the festival juices flowing, yet expectations were unusually high for Houghton’s debut last month. With such an exquisite line up, beguilingly minimal marketing and promises of spontaneous back to backs, this was the festival to be at this summer.

 

Even as I traced my car through Norfolk’s gorgeous B roads, my passenger and (appalling) co-pilot Fabianski fuelled the fire further, abandoning her navigational duties to skim Facebook for updates. The music, she announced, was apparently going to be non stop all weekend.

 

Such a rumour was true, and the twenty four hour license developed into being a pivotal aspect of the weekend. It meant that I could eat, sleep, party, relax whenever I wanted over the three days and dip my toes in and out of the musical waters as and when I pleased.

 

A gold star must go to the sound, and from the bespoke Klipsch setup in the Giant Steps tent to the mighty four point system in the Terminus, every stage (for the most part) was brilliant. And I mean really brilliant. I have not heard such weight and clarity in any club in London, ever.

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Joy O was the first to kick things off on Friday with a superb set in the Quarry. There was care in his mixing, an easiness, and flare in his track selection as he wove stinkers like ‘Hackney Parrot’ into classy, soulful house. A housed up edit of Blacker Than Black (4 The Good Times) was a particularly smiley moment, along with another stunner that Fabianski and I have gone to laughably long lengths to ID. Seeing people scramble up the banks of the Quarry to huge jeers was comical later on in the weekend, even moreso were the bouncers trying to catch them.

 

Just down the hill from the stage you could grab a £2.50 tea, (with optional vegan brownie, of course) delicious paella, or an overpriced sourdough pizza. Go a little further and you would find the place which would turn out to be the beating heart of Houghton, Giant Steps. I would love to see more stages like this next year. The tent was really something, drenched in beautiful plants, big cushions and sweltering heat. Much attention has been given to the BBC turntable console that the DJ’s did their business on, but I couldn’t really tell the difference. Donna Leake was incredible both times I saw her over the weekend and played the sexiest, smoochiest, tropical grooves I have heard in long time. Bravo to Brilliant Corners for stamping your mark on an otherwise minimally decoured event.

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The main, Derren Smart stage was next across the road, and home to some of the most eagerly anticipated acts of the weekend. Here there was ample room to groove, a wicked system and enough space to chat and appreciate the attire of my fellow partygoers. 1995 footy tops were heavily on the menu this year.

 

Standout performances came from Derrick Carter, who worked up a big crowd with the likes of Boz Scaggs ‘Lowdown’ and similar, slutty disco early on Friday. I also sobbed during Kamaal Williams’ special ninety minutes on Sunday.

 

More disappointing was Vilod, and despite my wanting to enjoy Ricardo and Max Loderbauer’s noodling on their modules, the whole thing felt a bit out of place and slightly unprepared. Loderbauer ended up rolling his eyes as Villalobos fidgeted with the jack leads, causing static to spray embarrassingly through the rig.

 

All was not lost though, and I got my minimal fix in the form of Rhadoo instead. I remember repeating his 8 am set time to Fabianski with a sense of disbelief when we arrived at the festival. ‘There are two days to go… Let’s pace ourselves.’ She reminded me. 

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Anyway, there we were, late Saturday morning, Rhadoo prowling around the decks, shimmying his shoulders in front of a diminished crowd of thirty five. It was an unbelievable spectacle as the Romanian stunned us with groovy, sludgy tracks marked with sublime sound design. As my body started to tire (I ended up on my haunches, as usual) extensive cheers forced a smile out of the maestro as the clock struck twelve. This was the highlight of my weekend. 

 

With minor tweaks to the programming and decour, the festival will improve next year. Sunday night was screaming out for a Ricardo, Dygas, Craig or Raresh closing set, for example. Perhaps some more spontaneous back to back action?

 

Houghton can be proud of it’s first attempt though. The size was great, the vibes were nice and the stages were all cool. The music license was brilliant too and is something that the other UK festivals will be looking at enviously.

 

Just being able to watch the DJ's do their thing on fat, custom systems was the real joy for me all weekend though, and I’ll be back next year for round two.

 

Words by Marlon George

Photos by Jake Davis

 

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Review: Laser – Body EP (Apollonia)

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One of the most sought after records in the past year is about to land. Partygoers and music lovers alike have been on the hunt for this old school bomb, with many people failing to identify the track. This is all thanks to the master of the Paris underground scene, Dan Ghenacia. Known for his ability to seduce his listeners with his smooth grooves and infectious house selections. This is a track that once emerged from his collection last summer; it has never left the bag.

The Apollonia outfit begun as an outlet for the French trio Dan Ghenacia, Dyed Soundorom and Shonky to release their own material, but also repress some of their personal favourites. Here we have a special record that made the cut. Italian duo Laser initially released the Body EP on Pin Up in 1993. A deep house project that they may not have realised would become so special, with the original ranging from 35-50 euros on Discogs.

 

 

Body Beat’ is one of those game changing tracks you can mould your set around. Immediately lifting the atmosphere of the room.From the word go, you just know you are in for a treat. An organ takes the lead role, bouncing the course of the track; with strong female vocals fading in and out, it sets a feel good vibe. When caught off guard on the dancefloor by this irresistible sound, you will definitely struggle not to dance.

On the B side ‘Body Under’ is a distinctive moody affair, weighed down with a chunky rolling bassline. Heads down, hands up. Cosmic percussions seem to appear out of nowhere, creating a sense of mystery for the listener as it twists and turns. 

An early 90’s treat at its finest. Expect to hear this groove far and wide, and if it was not a classic before, it is safe to say it has become one. Do not worry the wait is nearly over. The days are gone of watching the clip of Ghenacia unleashing this weapon at a villa party in Ibiza, whilst you sit there trying to work out what you are witnessing. The highly anticipated release is coming at the end of this month.

 

 

Villa Party Clip - HERE

 

 Words by Zac Bidwell

 

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