- Published on Sunday, 12 February 2012 15:11
When Luke Solomon and Derrick Carter’s The Classic Music Company re-mastered and re-released their epic back catalogue in 2010 there were whoops of joy heard across the globe; from every DJ who had missed the opportunity the first time around through to every classic house music fan who simply wanted to enjoy the decade long discography through the comfort of their own stereos. Whilst the re-release and subsequent re-launch of the label was welcomed with open arms, it came amidst speculation on how the label were going to move forward and re-instate their legacy as one of the most respected and dare I say it, ‘classic’ imprints out there. Re-releasing what they already knew worked was one thing, but moving on and making new waves was another. With the promise of fresh blood injected into the label and a successful European tour proving they were still as popular as ever, The Classic Music Company made their next move – the first edition of a compilation mix CD entitled ‘Through The Eyes Of...’
- Published on Tuesday, 10 January 2012 02:43
Happy New Year, we’re sure it’s going to be a successful one for you.
How did you spend your New Year? Any glamorous gigs, or was it a chilled one in front of the tv with a pipe?
James: I’ve been giging and travelling in Asia/Australia for the first time since November, flying back to london this week. The gigs were all fun and met some amazing people along the way.
- Published on Monday, 07 November 2011 12:12
fabric On & On & On...(& On)
After a good few years of attending fabric’s birthday extravaganza I’ve developed a strategic ‘plan’ to ensure I get the best from it. Saturday night is a no-go for two reasons. Firstly (and sadly), the early doors crowd increasingly resembles the cast of ‘The Only Way Is Essex’ and secondly, the line-up tends to get better and better as the thirty one hour shift moves into its latter hours. Descending down fabric’s epic, winding staircase into its brick tomb to the sounds of Ricardo Villalobos’s twisted techno on a Sunday morning is quite frankly, my idea of heaven. Or so I thought, four years ago when I first heard him play and he blew my mind. The problem is however, that every time I’ve seen him since, I’ve come away disappointed and that so called heaven of mine is in reality, a distant memory. This year there were as always, glimpses of genius from Ricardo like the implementation of the acid techno and hard house ‘hoover’ – (think 1995’s Commander Tom ‘Are Am Eye’) – but then they was also gangster rap samples over a bed of early noughties minimal tech - which had it of been in time may just have worked...but it wasn’t. As influential as Ricardo has been over the years maybe it’s time for him to step aside and let Rhadoo take the reigns as our iconic fabric birthday dj – only fair considering while Ricardo stumbled around behind the decks in the early hours of Monday morning Rhadoo rescued his plentiful mistakes?
fabric - Photo Credit – Nick Ensing
Set times as always, were left to Chinese whispers and for the few hours that Room 1 became the only one open, it was Room 2 resident Terry Francis in control - I made a speedy exit to the nearest pub before heading back a couple of hours later. Returning to find Lee Foss playing in Room 1 was unexpected, not only because his home of Kubicle where hosting Room 3 but because the trickery and innovation that I believe Room 1 artists should have doesn’t involve Foss’s predictable and hit style content. In saying that, Lee outshone his norm and his selection and mixing were at least a fraction less generic than usual.
DJ Three – Photo Credits – Nick Ensing
Next up, Moodyman began his shambolically mixed set of sweet, soulful tracks that ignited that fabric birthday feeling that remained with me until close. An brave and un-mixable selection ensued – but when Nirvana’s ‘Teen Spirit’, Carl Craig’s ‘Like A Child’ remix and ‘After All’ from Franck Roger & Mandel Turner are played within the same 10 minutes of each other, who really gives a fuck? – Not me, and judging by the crowd’s enthused reaction neither did they. After Moodyman I headed to Room 3 where two of the three Droog members where filling the intimate space with a finely executed set of deep driving house tech grooves that put Lee Foss’s attempts of the same style to shame. DJ Three followed and instantly became my Room 3 highlight. Not having heard much about him and never having heard him play I was struck by his smooth yet arresting mixing technique and accomplished track selection which included Engels’ “To The Music” remix that has been happily spiralling in my head ever since. Excuse my ignorance if DJ Three is in fact a worldwide star, but I was left with the impression that he’s one of the most underrated DJ’s of our scene. A true dj’s dj, Three had punters and fellow artists climbing up the Room 3 walls.
Ricardo Villalobos - Photo Credits – Daddy's Got Sweets
As Monday morning’s early hours progressed into the tech heavy closing set from Villalobos and Richards, any dissecting musical standpoint of mine had gone out of the widow; replaced by costumes, laughter, friendships and a nostalgic warmth for the past 12 months at what is without doubt, London’s No.1 electronic music establishment. fabric’s thoughtful and expert programming, lighting, sound and dedication to this industry is what keeps us going on & on...& on.
- Published on Wednesday, 05 October 2011 19:11
Half Baked put on an amazing warehouse rave on Friday night with Lola Ed. They kept everyone dancing till dawn with some of the finest French house sounds around!* Hearn Street Car Park is one of the original east London rave spots. Located just inches from the perimeter of the Shoreditch triangle, this car park has been an epi-centre of party in the area over the years, hosting a plethora of proper-good warehouse raves. Mulletover, Soulclap and Redbull have been amongst those to have it large within these 4 walls. For this one, its infamous Sunday disco crew Half Baked - taking the reigns for a one off Friday night do with French house connoisseurs, Lola Ed. Once past the heavy queue, stressed out bouncers and coat check, we were ready for some serious raving. The space is separated into 4 tonight – smoking area, coat check and loos, then its room 1 and the bar, then through a big black curtain to room 2 (which feels like the main party spot).