Music Review: Aris A1 - In Chaos We Learnt To Be Still EP [Eject Records]

Established in Bristol in early 2019, Eject is a group of likeminded individuals who came together through their love of music, production and DJ’ing. Realising the absence of their taste of Minimal, Deep and Underground House in the city, the collective of creative heads decided to fill the gap. After maturing that year in Ibiza, networking and building the family, at the end of the year they came back to Bristol where, along with their close friends Rubik, ran their debut event in Asylum nightclub hosting the chief Fuse London resident; Rich NxT as their guest.

 

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Since the very first release by Goras last February, the label immediately climbed the Minimal/Deep Tech chart on Beatport and we're sure that they will do the same with the newly released EP Aris A1 (Rendr, Lacuna Recordings). His "In Chaos We Learnt To Be Still" EP is a majestic ride through all the facets of the deep house sound, as the Italian-born but Perth-based DJ & Producer covers a multitude of shades: from lushy and dreamy moments to funky and easy-to-dance-to groove situations all together in just 4 tracks.

 

Opener “In Chaos We Learnt To Be Still” got loads of swing and a characteristic personal vibe. From the very beginning, the chunky bassline and the lively guitar both make us feel like driving a supercar in the sunny East Coast during the late '80s. The main bass has an old school flavour and so do the samples used. Guitar chops instantly create a Chicago-ish scenario and the deep chords complete the US fascination with taste, on top of a very dense and funky groove. Synths and pads arise abruptly and change the game, taking the track to a new level. A slightly modern minimal imprint is still present, even though the abundantly clear house flavour. Sweet stabs create a light bouncing effect and the open hat is soothing, almost lifted by the rest of the drums, when it comes in track gets trippy and engaging. 80s synth brass completes the frame with style during the breaks, introducing some superb and unexpected evolutions.

 

 

 

Up next, “Poimandres” completely subverts the situation, passing through sunny vibes to mystery feels. This is surely the darker of the four tracks, as it features a nervous and sharp groove with a sinister lofi synth lead goes in its company all the time, almost part of the drums. The rhythmic section is mixed down perfectly, sounds like a single, evolving, percussive texture. Synths get denser and a spooky arpeggio arise with a bell-ish sound. Sustain pads and low strings add even more tension, whilst the bass rolls boldly alongside pitched down male vocal samples.

 

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Thus is the melancholic and warm "Exile”. A subtle dreamy atmosphere finds its frame inside the gentle groove to which is also added some soft female vocal chops and majestic pads. The tight minimal composition highlights many microvariations, while the piece goes on full of soul. There’s a perfect balance between emotional harmonic elements and the always present Aris' dancefloor attitude. This track truly speaks directly to your heart and feet, made for dancing with love.

 

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Rounding out the package, “Illuminatio” gets dirty and we really like the feel overall fat feel that the track transmits from its drums. A recognizable analog crisp is also present on the main stab that goes away just during the break; this parallelism gives the whole piece solid coherence. Jazzy harmony arises from the rubbery and rich sounds.

 

For "illuminatio" I got influenced by the simplicity of the percussions used for the creation of a consistent solid groove, but my main source of inspiration was the mystical sounds, which almost make you feel illuminated (illumination in Latin) by the simplicity of music" - ARIS A1

 

A cowbell insists prominently on the beat, giving to the track an extra dose of funkiness, while kick and bass roll smoothly one above the other. The full-bodied drum section is dense, bouncing loose and bringing bring the piece forward in a laid back way. Arp synths sound at the same time very odd in the piece and very fit, creating another interesting dancefloor tool.

 

 

 

 

 

 

Words by Francesco Quieti & Francesco Zambianchi